Art gallery Palmu

Globally Successful, Controversial at Home.

Finnish painter Juhani Palmu is an interesting case, whose international success sharply contrasts with his reception in Finnish art circles. Although his art has often been belittled in Finland, even labeled as “zero” or a “barn painter,” Palmu has managed to establish significant gallery relationships in Europe, Japan, and the United States. Starting in the 1970s, Palmu focused on Ostrobothnian landscapes and courtyard paintings, widely spreading his folk-traditional art throughout Finland. While the modern art elite dominated Helsinki’s galleries in the 80s, Palmu consistently sold better and for several years was the highest tax-paying artist in the country. Nevertheless, the professional art organizations never accepted him as a member. Despite the challenges of the Finnish art market, Palmu’s international career has been impressive. After moving to Germany, he established strong ties with reputable galleries in Paris, Tokyo, and Beverly Hills, and his works have even been exhibited alongside leading contemporary artists like Frank Stella. This international recognition was achieved without any export subsidies for art. Palmu’s success, and even his stays at the Ritz in Paris, have been at odds with the perception of Finnish art circles, demonstrating that the appreciation of art can vary greatly between cultures and markets.

You can read more on www.juhanipalmu.net